Core Group: An Artistic Bunch…
Cutter-draper-pattern-maker, tailor & dressmaker, crew chief & shop management. Loooong history designing and building for theater, musicals, ballet, mascots & corporate – plus more recently: film, tv and commercials plus other oddities including producer, professor & script developer. BA, MA, MFA.
$500 set monkey or day rate,
$600 design/build day rate
Pronounced “Raven,” he is a fine artist, painter, producer and production designer. Nearly a decade working in Los Angeles on sets, props, miniatures and special effects for lots of commercials and a bunch of films you know and love including Holes, Windtalkers, The Alamo and more. Hraefn has spent a lifetime studying runes, their origins, artistic representations and lore, and is currently in preproduction for a new program you’ll find fascinating (and possibly quite controversial) called The Rune Show.
$500 day rate
$600 on set or design day rate
Master creator of props and special effects for films you love including Blade Runner, Titanic and Beettlejuice. Crit taught screenwriting at UCLA/USC and production design at BYU and has consulted on scripts of 90+ Hollywood feature films. Crit currently teaches screenwriting at Utah Valley University. His career spanning 34 years has given him the opportunity to work on some eighty five motion pictures in production design and on another ninety some films behind the scenes, crafting stories and consulting on script and film structure.
$600 day rate
$700 on set or design day rate
$500 day rate or per-project bids for VFX, coding, databases, websites, etc.
Illuminated illustrations, captivating caricatures and fantastic costume renderings. Carolyn is a frequent guest artist at the corporate gatherings of Adobe, USANA, Lagoon, Young Living and many more who treat their employees with her heirloom portraits. A production manager plus costume and props designer/technician, she also creates promotional illustrations for websites and media campaigns. Carolyn is a production manager and art director for Buie Entertainment plus an accomplished Salsa dancer.
$100 per hour charicatures rate or per-project bids for book projects, illustrations, costume renderings, etc.
Master leather worker and armor designer for live performances as well as motion picture spectacles including the films of Arrowstorm Entertainment plus lead designer for Utah’s famous themed attraction, Evermore. Craftsman specializing in metals and fabrication for Badali Jewelry’s licensed specialties inspired by films and novels, to one-of-a-kind collectible ensembles for discriminating clients.
$500 day rate or per-project bids for concept art, storyboards, artisan leather work, etc.
A Brief History of McGrews
In 2001 on Pierpont Avenue, McGrews opened its downtown Salt Lake City doors to the public.
From a modest 300 square foot loft space, our workshops have expanded to a more than 3000 square foot storefront (and for particular projects – up to 10,000 feet of workspace and showroom). From its humble beginnings as a sole proprietorship, McGrews is now operated by several designers and their artisan staff, plus at least two college interns every semester.
This picture shows what the Pierpont Avenue storefront looked like in 2010, prior to a major remodel.
A neighborhood focal point on Salt Lake’s historic Pierpont Avenue since 2001, McGrews has added appeal and magic to the downtown area.
Our shop, along with our staff and friends have played host, formally and casually, to the many gallery strollers, tourists, photographers, journalists and adventurers who’ve perused the block’s interesting features.
As a cultural anchor, we’ve provided a hub for society’s movers. At special gallery events, meetings and impromptu get-togethers, celebrities, artists, composers, authors, chefs and politicians have congregated. Many citizens have stopped by over the years to chat about the news of the day and their current projects.
The personal and professional paths of many people have intersected and shifted course within our midst.
Clients and projects have included everyone and everything imaginable, from films and plays to political campaigns, dance productions and pets.
December 2015 ended with McGrews (plus 99% of Pierpont Avenue’s other tenants) moving out! We moved nearly fifteen years worth of collected materials, tools, costumes, props and fixtures, and it was quite an ordeal! The historic building we occupied for so long was purchased earlier in the year by out-of-town investors who more than quadrupled the rents…. and thus goes the timeless tale of gentrification.
Our designers and crew are enthusiastic about our NEW location in Salt Lake’s Granary District.
Our new, larger space allows us to build larger productions plus host more guest designers, workshops and events.
Regardless of where we do the majority of our actual work (for some projects we rent extra warehouse space plus we’ll often take our work home with us), the view shared by everyone on our team is that each project and each performative event deserves excellence in its form and function, engineering and execution, tailoring and fit. That’s the way it is with this bunch.
Naturally, there are many good stories about how everyone met one another and decided to join forces. Jen, though, scolds that “collaboration” is the wrong word. “Collaboration,” she thinks, is something college students are forced to do in ‘group work.’ In the real world, she says, the discriminating and determined among us get to choose our associates and co-creators.
The shop gets its family name from Jennifer McGrew. She started sewing and building costumes at around age nine. Some forty plus years later, she still hasn’t kicked this habit.
In fact, for decades she has indoctrinated many others- friends and collaborators as well as colleagues, interns, clients and the public into adopting her peculiar world view that things should be made beautifully and with quality. She is something of a sartorial tyrant on these particular matters. But it is also widely known that she is a warm friend as well as a fierce ally, mentor and cheerleader to many.
Prior to returning to Utah in 2001 and opening the shop in downtown Salt Lake City, she lived on both coasts and worked at several regional performing arts companies. She built, designed or managed wardrobe, crews, and clients for their productions plus for many other professional organizations. She even completed two graduate degrees and taught college courses for fifteen years.