McGrew Studios
Specialty Design & Production for the Creative Industries
Essential for preventing abrasion on the rope join (where your tow rope drags on the runway).
Custom made in leather, with sueded surface on the outsides, they slide nicely and fit securely over your rope joins.
For Elk Mountain Soaring at Morgan County UT Airport
If it ‘aint broke, don’t fix it. Slipcover it.
New custom slipcover for a head rest in a Schleicher ASW 20BL glider. Owned by Dan (you’ll really enjoy his YouTube videos:).
Nice, new neoprene cover laces closed on its underside.
Grommets and lacing work much better than a zipper, (yes, already tried it).
A zipper wouldn’t allow enough stretch to put this on and take it off.
It’s cool, moisture-wicking, stretchy and washable.
The only way to fly.
Read the basics about this fantastic German-made glider here…
More specific data and statistics about the ASW 20BL Glider here…
The original upholstered head rest had some wear-and-tear. My dad, Stan McGrew, performed some baseball stitching repairs a few years ago. The head rest is still very structurally sound and in good shape.
Repairs on the original leather upholstery: the baseball stitching keeps these split seams together. The head rest is still holding up well, so we are gonna slipcover it!
Glider season starts here on or about April 1st here! Coming soon!
Info and details about the Morgan County International Airport here- – haha!
Thursday, October 17 2024
ALL AGES
Thu, Oct 17 • 6:00 PM
Megaplex Theatres at The District
From $20.00
Get ready for an out-of-this-world experience at the theatrical premiere of Alien Country – a night full of extraterrestrial excitement!
Come watch Alien Country with the cast and crew in Utah and LA!
Red Carpet Photos, special Q&A’s, and more!
We loved being the production and costume designers (Jennifer McGrew and Hraefn Wulfson) for this funny, scary, action-packed film.
SO proud of our local filmmakers, cast and crew.
See it at the premiere with us, then see it again when it lands on on Amazon Prime:)
Very silly costume design here, created especially for this Highland Cabinetry commercial by Chamber Media.
Chain mail, safety vests, customized tabards and especially enjoy the 2 x 4s used to create the galloping horse sounds. Big shout out to production designer Dan Haskell for his clever set pieces, props and effects.
Shout out, too, to Tyler Brown, Danny Huntington and Mike Brown and their crew for the exciting catapult (or, rather, trebuchet) that they brought to set. Completely cool and fascinating.
We all laughed as we awaited their arrival on set, hearing that their giant historic machine on its enormous trailer got stuck on Interstate I-15, caught in rush hour traffic on the way down from Logan, UT. Just imagine being an average commuter and seeing that sort of thing next to you on the highway! Read more about them and their organization here.
Our shoot on location at Evermore in Pleasant Grove was possibly some of the last action that this theme park saw in its lifetime. Rest in peace, Evermore.
Do you like our Black Knight here? It was super fun creating this costume as well as his ‘stump’, then rigging the actor’s arm down and working with Dan, who not only engineered the blood pump but also built our Knight’s helmet on super short notice. The Black Knight’s severed arm squirts just like a Japanese warrior’s. I was killing time on Reddit once and crossed paths with this explanation for the copious amounts of blood typical in many Samurai and even contemporary Japanese films:). Hilarious. Betting that those funny Monty Python guys were very well versed in this genre.
As always, thank you Chamber Media, writer Matt Mattson and the entire cast (who are amazing at improv comedy) for making us all laugh so hard; something we all need more of in life!
KING ARTHUR John Donovan Wilson
SQUIRE Matt Mattson
SIR LANCELOT Jasen Wade
MDF MAN Danny James
BLACK KNIGHT Adam Broud
These creatures, the thids, didn’t care much for the results when they mated with humans. Tragic.
But in the end the world was better off.
More of Robert’s animation, editing and VFX here.