custom fitting- in the shop
custom fitting – in the shop
Custom clown spats in white canvas and black leather over platform shoes!
making some nifty custom spats
Pennywise- fabrics and trim: Silk dupioni and wool yarns
Fresh costume – looks a bit cleaner than a monster who’s been living in the sewers and caverns for a millenia:)
on the tracks outside out shop in the Granary District, Salt Lake City
Pennywise- waiting patiently for the IT sequel
DGY Jousting during Utah’s 2018 “Days of ’47” events at the Utah State Fairpark. Photo: David Boyd
DGY Jousting during Utah’s 2018 “Days of ’47” events at the Utah State Fairpark. Photo: David Boyd
DGY Jousting during Utah’s 2018 “Days of ’47” events at the Utah State Fairpark. Photo: David Boyd
DGY Jousting in their new 2018 attire at Young Living Farm in Mona, Utah Photo: Robert Hirschi
DGY Jousting in their new 2018 attire at Young Living Farm in Mona, Utah Photo: Robert Hirschi
DGY Jousting during Utah’s 2018 “Days of ’47” events at the Utah State Fairpark. Photo: David Boyd
DGY Jousting during Utah’s 2018 “Days of ’47” events at the Utah State Fairpark. Photo: David Boyd
2014.
custom patterned and fit in brocade and moire’ over coutil with 24 steel stays plus lacing stays in the center back
bustle development
bustle development
sleeve development
bolero development front
bolero development back
on display, at Salt Lake City’s Absinthe Parlour Salon
Jared is one of those super smart, compassionate and completely charismatic people who makes you reflect in fun ways on your life’s transcendent values and the world around you. We adore him.
See these to learn more about Jared and his ministry:
239-243: Jared Anderson – An Academic Introduction to the New Testament
https://allevents.in/provo/jared-anderson-secular-thought-in-religious-practice/1756068798019318
Some 2018 construction process pics:
Goddess Juno Costume- USU’s Ludi Romani games
Thursday, Apr. 05, 2018
A fun costume we made in 2012 for Utah State University Classics professor, Francis Titchener.
Frances Titchener appeared as the goddess Juno in the 2016 Ludi Romani games hosted by Classics. Alumna Teri Gee portrays Venus, a role she will recreate this year as well. Juno’s sacred animal was the peacock, which is reflected in Titchener’s goddess robes. Photo: USU.edu
Observepoint custom sock mascot by McGrew Studios
https://www.observepoint.com/mobile-analytics-summit/confirmation/
https://www.facebook.com/ObservePoint/photos/a.10151223038382076.446984.58392662075/10155499438457076/?type=3
A promotional three-piece gown, created and worn to present the award for best costume design at the 2nd Annual Filmed in Utah Awards Show, 2013.
With little more than a week to build, its value (with the pannier) is about 5k. The least costly parts of this dress are its fabrics, mostly imported synthetics. My pals helped me fit, hem and hand-finish so we could get this done in time.
Asked to present that year’s award for best costumes in front of hundreds of people, I couldn’t simply head to Macy’s or Nordstrom to look for any old dress.
With Marlys Miller-Fladeland and her daughter.
On display for a time in our shop’s front parlour. Pierpont Avenue location.
Inspiration.
Pages from the Chronicles of Western Fashion. John Peacock , Harry N. Abrams, Inc., New York, 1991.
Costumes 1775-1780. pp 136-137
In our shop we refer to this book as “the bible”. It’s one of our most used texts. We often hand it to clients, asking them to describe the silhouette and details of costumes they want by picking elements out of the lineup. It’s a great book. Its illustrations detail changes in silhouette and ornamentation in a decade-by-decade progression.
Dear friend and dressing helper, backstage, Brent.
With actor Danny James.
Being accosted by James Christian Morris.
With the radiant, brilliant Jennifer Sommers.
With voiceover talent Brenda Myers.
With artist Timm Paxton.
Backstage at the Grand Theater, with hair and makeup genius Amber Pearson.
Final fitting in the shop.
Brittany Babb and Melissa Welinsky mark my front hem while I hold the yardstick.
Temporary white lacing in the final fitting.
Ready to mark the hem, standing on the cutting table.
Sleeves developed. Shown here on a dress dummy along with a vest I was making for another client, over a wonderful necktie kilt made by Melissa Welinsky. An interesting outfit.
Jennifer Sommers, adjusting the straps inside the pannier, pulling them in tighter to create a wider, flatter pannier profile.
Bodice fitting. Many thanks to Jean Hunnisett, author of Period Costume for Stage and Screen, for wonderful recipes, construction details, research and period patterns in your books- a treasured part of my library.
In the beginning: Merely a big collage of fabrics that look swell together.
Meet “Zero” and “One,” Pluralsight’s “future people”.
Appearing in the stunning video (above) shown during Pluralsight Live’s opening session, the branded mascots then appeared in person periodically throughout all three days of the event, intriguing and mingling with enthusiastic conference goers.
A full spectrum of colors enhanced the actors’ first set of costumes. A series of creative in-camera effects captured actors Phillip Istomin and Alexis Chanel being doused with paints and powders during the high frame-rate filming.
A great team includes the creators of the Pluralsight promo video, JMills Entertainment. Art direction and marketing by Adam Gunn, John Jensen and their colleagues at Pluralsight. Two sets of identical costumes for Zero and One custom built by Jennifer McGrew with Kelly Hawthorne. Behind-the-scenes shots of the video shoot by Dee and Cory. Live performance scheduling logistics at the Grand America by Webb Event Production and the lovely Xenia Maritsas. On-location wardrobe tech and dressing by Jennifer McGrew.
Pluralsight Live User Conference, Salt Lake’s Grand America Hotel, Sept 19-21, 2017.
https://www.pluralsight.com/
http://www.jmillsent.com/
http://www.webbproduction.com/
https://mcgrewstudios.com/
http://www.deeandcory.com/
‘Future People’ concept art: Pluralsight’s Adam Gunn
Prior to all the paint and color that doused them during the filming… One and Zero in their snappy new white future suits.
Initial paint splash on the costumes. Model Phillip Istomin gets some great air on that paint while smashing the ceramic container with a white sledgehammer. Model Alexis Chanel calmly observes.
A ‘before’ and ‘after’ set of custom costumes in the shop. All ready to head to the Grand America Hotel for Pluralsight Live